Serpentine Gallery, London
Pairing his fantastic landscapes with a soundtrack blasted on vintage sound systems, the painter blurs the lines between club and gallery to seismic effectA giant sound system towers against green mountains in Peter Doig’s painting Maracas, while a tiny man stands on a speaker-stack to reveal the monstrous scale. It’s a utopian – or dystopian – daydream of what sound can be. Could the speakers broadcast enough sonic power, enough soul and love, to blast away reality? They are silent, of the mystery, the dread, lies in the expectancy.Not any longer. House of Music, Peter Doig’s new exhibition, or club, or festival, turns this painting hanging in the Serpentine’s vestibule-like introductory space into a manifesto, and turns up the volume. Continue reading...
Sunday 12 October 2025
.theguardian - 3 days ago
Peter Doig: House of Music review – intoxicating paintings with a banging soundtrack
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